 Still from the film "Asymptote", from the "Intimacies of Geometry" series |  Still from the film "Asymptote", from the "Intimacies of Geometry" series |
|---|---|
 Still from the film "Asymptote", from the "Intimacies of Geometry" series |  Erinn E. Hagerty aligns artwork for a shot on the Oxberry master series animation stand for "Asymptote." |
 Erinn E. Hagerty aligns artwork for a shot on the Oxberry master series animation stand for "Asymptote." |  Hand-processed 16mm ektachrome film from "Asymptote." |
 Hand-processed 16mm ektachrome film from "Asymptote." |  Adam Savje programs a motion-controlled move into the Cinetron System for "Asymptote." |
 Still from the film "Asymptote", from the "Intimacies of Geometry" series |  Still from the film "Asymptote", from the "Intimacies of Geometry" series |
 Still from the film "Asymptote", from the "Intimacies of Geometry" series |  Still from the film "Asymptote", from the "Intimacies of Geometry" series |
 Still from the film "Asymptote", from the "Intimacies of Geometry" series |  Still from the film "Asymptote", from the "Intimacies of Geometry" series |
 Still from the film "Asymptote", from the "Intimacies of Geometry" series |
Asymptote, from the Intimacies of Geometry Series
2016 | USA | Film | 8:08
MEDIUM
Light, colour transparencies, shot on Oxberry animation stand in 16mm film, hand-processed, scanned at 5k,3D CGI cut-outs, Ink,Water. Shot digitally on multiplane set-up using Dragonframe. All footage digitally composited using AfterEffects & Premiere
DESCRIPTION
An exploration of loss is shared, evoking dualities— nostalgia and regret, engagement and disengagement, imagination and fabrication, all within the context of family.
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